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Anri Sala
Nocturnes
27 April - 3 June 2001
This is the first London exhibition for Anri Sala, a
young Albanian artist living in Paris who has emerged swiftly to international
prominence with films such as Byrek (2000), Intervista (1998) and Nocturnes
(1999). Anri Sala's work is characterised by an objective, documentary
approach to film making, revealing personal histories and hidden meanings
within the dialogues of his characters.
Nocturnes, a single screen piece shot on 16mm film in
Lille during 1999, is an intricately composed work in which two men discuss
their experiences of life. Denis, a young French soldier recently returned
from the Balkans, speaks with alarming candour of his brutal training
and subsequent role as a 'blue hat' assassin expected to seek
out and kill key military targets. Jacques, the owner of a tropical aquarium,
reveals the harsh realities and stresses of life within the fish tanks
lining his house. As we switch from one to the other, common denominators
emerge linking the two men, who do not know each other but share similar
experiences of stress and loneliness.
Denis: 'When you've got a gun, you've
got to take care of it. There, they tell you: you work with your gun,
you sleep with it, you have sex with it. In the shower you turn it upside
down and cover it with a towel. A gun is normal, so when you get here
and you don't have it, it changes you.'
Jacques: 'And the sound here is stressful, because
it's everywhere and then sometimes it stops and it's awful.
When the sound stops, I say to myself, oh shit, it's a disaster,
they're all going to die. There's no more air, there's
no more oxygen. Panic. In the middle of the night, at three in the morning,
I wake up and come down, I can't hear the noise anymore, I can't
hear the sound.'
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