 |

|
 |
|
|
 |
 |
 |
| |
| Education |
| |
|
| 1987 |
Newcastle upon Tyne Polytechnic,
BA Fine Art |
| |
|
| Solo Exhibitions |
| |
|
| 2002 |
Platform, London |
| |
|
| 2000 |
Cabinet, London |
| |
|
| 1997 |
Cabinet, London |
| |
|
| Group Exhibitions |
| |
|
| 2002 |
The
Green Room, Percy Miller Gallery, London. Curated by
Simon Moretti |
| |
|
| 2001 |
The
Communications Department, Anthony Wilkinson Gallery,
London, curated by Alex Farquharson
A Timely Place, OR, Getting Back to
Somewhere, London Print Studio, London, curated by Paul
ONeill
Hotel Sub Rosa, Cabinet, London
The End is Nigh, cskx Studios,
London
The seat with the clearest view,
Grey Matter Contemorary Art, Sydney, organised by Polly Staple |
| |
|
| 2000 |
Songs
sung by men from the point of view of women, Platform,
London, organised by Gareth Jones and Silke Otto-Knapp
Tonight, The Modern Institute,
Glasgow |
| |
|
| 1999 |
Village
Disco, Cabinet, London
Palace, Glassbox, Paris
Limit Less, Galerie Krinzinger,
Vienna
Getting The Corners, Or Gallery,
Vancouver, curated by Matthew Higgs
Resolute, Platform, London |
| |
|
| 1998 |
The
Origin of Parties, greengrassi, London
Lovecraft, South London Gallery,
London; Spacex, Exeter, curated by Martin Mc Geown and Toby
Webster
A-Z, The Approach, London, curated
by Matthew Higgs
Inbreeder, Collective Gallery,
Edinburgh, curated by Godfrey Worsdale |
| |
|
| 1997 |
Imprint
93 (and other related ephemera), Norwich Gallery, Norwich
Snowflakes falling on the international
dateline, Casco, Utrecht, curated by David Lillington |
| |
|
| Publications and Projects |
| |
|
| 2000 |
26
January 1975 (artists project), Untitled, No. 23,
Autumn/Winter, p.7
Pro-ject Pt. 1, cskx Studios,
London
Cubitt (print project), Cubitt,
London |
| |
|
| 1999 |
Resolute,
Platform, London |
| |
|
| 1998 |
Postcard,
Imprint 93, London |
 |
|
|
|