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| Born 1967 Warsaw |
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| Education |
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| 1996 |
Goldsmiths College, MA Fine Art |
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| 1995 |
Central St Matins,
BA Hons in Fine Art |
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| 1991 |
City of London Polytechnic, Foundation |
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| 1987 |
Wojciech Gersons School
of Art, Warsaw, Diploma in exhibition design |
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| Solo Exhibitions |
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| 2003 |
Gasworks,
London (scheduled)
Friendship of the Peoples, Project,
Dublin (with Declan Clarke)
Untitled, Fundacja Galerii Foksal,
Warsaw
Homeless Furniture, Transmission
Gallery, Glasgow |
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| 2000 |
Cave, Konstakuten,
Stockholm |
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1999
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Cave, Sali
Gia, London
A mountain and a valley, Cubitt,
London |
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| Selected Group Exhibitions |
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| 2002 |
T.O.F.U, Bart Wells Institute,
London
The New Religious Art, Liverpool
Biennale, Liverpool
London Underground, Taipei Fine
Art Museum, Taipei
Project 1, Pause conception,
Gwangju Biennale, Gwangju
Outline Gallery, Amsterdam
The New Religious Art, Henry
Peacock gallery, London
Woof Woof, Project, Dublin
Transmission Gallery, Glasgow |
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| 2001 |
Zawody Malarskie, Galeria Bielska
BWA, Poland
Open Plan P3 the marathon, Alphadelta
Gallery and Artio Gallery, Athens
Woof Woof, becoming animal,
Austiran Cultural Forum, London
Skuggspel, Tullkammaren, Umea
Teeth & Trousers, Cell Project
Space, London
Forever Yours, Wooden Heart,
London
Free Wahlen/Uptight out of control
3, Baden-Baden
Avalanche, Hales Gallery, London
3 in 1 Curatorial Mutiny Part
4, Nylon, London
a very nice film club, Vilma
Gold, London |
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| 2000 |
Sexy,
Houldsworth Fine Art, London
Incude me out ***, Unit 6, 48
Provost Street, London
Becoming, when a time is right,
Islington Art Factory, London |
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| Selected Bibliography |
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| 2002 |
Wysokie obcasy, nr
47, Goshka kontra bialy szescian,
Paulina Skirgajllo- Krajewska
Circa, 102, Goshka Macuga and Nick
Evans at Transmission, Sorcha Dallas
Make, edition 92, Goshka Macuga,
Grant Watson
The Irish Times, 17 Jan, Arts, All
the pretty horses, Aidan Dunne
The Irish Times, 16 Jan, The Ticket, Visual Art, Woof
Woof :Becoming Animal
Contemporary, Jan, International News, Athens, Katerina Gregos |
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| 2001 |
Art Review, Dec/Jan
2002, vol. LII, Lets get to work,
Charlotte Edwards
Magazyn ratuszowy, nr 24 / 2001, Jakie
malarstwo?
Gazeta Wyborcza, 19.11.01, Tatalne
przegiecie, Lukasz Kalebasiak
Gazeta.pl : Katowice, 19.11.01, Nowoczesnie
w BWA, Lukasz Kielbasiak
Trybuna Slaska, 17 18.11.01, Malarstwo
w nowym wieku
Västerbottens Kuriren, 7 Sept, När
London möter Kaddis, Andreas Sjogren
fluid, Nr 10, Goska Macuga, Artystka
ktora moze, Michal Wolinski
ELLE (polish edition ), Nr 84, Cool
Polonia, Ewa Cieplinska-Bertini
Frieze, issue 60 , 3 in 1 Curatorial
Mutiny, Part 4, Neal Brown
Flash Art , Vol.XXXIV nr.218, Curatorial
Mutiny@Nylon, Lee Triming
[a-n] Magazine for Artists, June 2001, Beyond
borders, A 3in1 Personal Evaluation Report, Gavin Wade
The Independent on Sunday, 15 April, Pick
of the Galleries, 3 in 1
Time Out , No 1598, Art, 3 in 1, Sally OReilly
Evening Standard, 25 March, Art
Contemporary Visual Arts Magazine, issue 33, 3
in 1 Curatorial Mutiny Part 4 |
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| 2000 |
Nojesrepubliken Soderamal,
4 Nov, Konst, Lena Nestius
Svenska Dagbladet, 28 Oct, Konst, Fred Andersson
Nojesguiden, Oct, Cave, Nils
Forsberg
Aftonbladet, 13 Oct, Konst
The Guardian, Space, 20 July, Sexy,
Houldsworth Fine Art , London
Independent on Sunday, 14 May, London
Biennale, Neal Brown |
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| 1999 |
thegallerychannel.co.uk,
Cave@Sali Gia
London Art Magazine.co.uk, Cave at
Sali Gia, London, Sherman Sam |
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| 1998 |
UNTITLED, nr 17 ,
it & Show Me the Money 3,
Michael Wilson |
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| Projects |
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2000-
2001 |
REPRODUCTIONS PRODUCTIONS
with Heidi Kilpelainen |
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| 2000 |
a
very nice film club, 25 Super8 films, Vilma Gold, London |
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| 1999 |
MFKOKM incorporated
with INFO CENTRE |
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| Awards |
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| 1991 |
Porter Prize - The
best Young Artist |
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