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Born 1967, Kibbutz Maabarot,
Israel
Lives and works in London |
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| Education |
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| 1998-99 |
Rijksakademie, Amsterdam, Artist Residency
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| 1996-97 |
Goldsmith's College, London, MA in Fine Art
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| 1990-94 |
Bezalell Academy of Art and Design, Jerusalem,
Fine Art Studies, B.F.A |
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| Solo Exhibitions |
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| 2004 |
The Project, Dublin |
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| 2003 |
Centre d'Art Contemporain, Geneve
Dance
Machine, Tate Britain, London |
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| 2002 |
Mochileros, One
in the Other, London
Tal Ester Gallery, Tel Aviv |
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| 2001 |
Positive
Vibration and Stars, W139, Amsterdam
I
AM A CHATROOM, The Trade Apartment, London |
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| 2000 |
Guy Bar Amotz, Site, Dusseldorf |
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| 1999 |
Positive
Vibration, Window Gallery, W<, Antwerp |
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| Selected Group Exhibitions and
Projects |
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| 2004 |
Lost in Tomorrow,
Patricia Asboek, Copenhagen
Dance Machine
Soundsystem, One in the Other, London (performance) |
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| 2003 |
Lost in Tomorrow,
Centro Cultural Andratx, Majorca
We’ll
Meet You in The Lobby, Buyuk Londra Oteli, Istanbul
ParaSite, Hong Kong, Blaenau Ffestiong,
Duncan of Jordanstone, Dundee
The Roadshow,
Gridesdale (curated by Mark Beasley)
Matchine
Matchine, 27 Spital Square, London |
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| 2002 |
Die First, One
in the Other, London
Offsite Project Ikon Gallery, Birmingham (two person show)
Livin' Like a Lover with a Radar Phone,
Project, Dublin |
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| 2001 |
Self Portrayal,
Laurent Delaye Gallery, London,
Messages
to the new Millennium, The Saitama Museum of Modern Art
Saitama, Japan
Cover Versions,
TheTrade Apartment, London, |
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| 2000 |
As It Is, Ikon
Gallery, Birmingham, UK
Burning Love,
A.P.T, London, (two person show)
The
Bridges, Fuori Uso 2000, Pescara
Positive
Vibration, The Israeli Museum, Jerusalem |
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| 1999 |
Open Studios,
Rijksakadenie, Amsterdam
Positive
Vibration,The Israel Biennale, Jerusalem
Gracelands
Palace, Sungkok Museum, Seoul, S. Korea |
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| 1998 |
Gracelands Palace,
Ein Harod Museum for Art, Ein Harod, Israel
Positive
Vibration, Every Day, Biennale of Sidney, Sidney
Drogenhaus Projekte, Berlin (two person show)
Humdrum
Green, TheTrade Apartment, London |
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| 1997 |
Loudspeaker Chorus /
Cover, Stedelijk Museum Bureau, Amsterdam
Gracelands
Palace, Galerie Fruchting, Frankfurt |
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| 1996 |
Hide and Seek,
The Israel Biennale, Jerusalem
The
Electric LightOrchestra, Ein Harod Museum of Art, Ein
Harod, Israel, (Installation / Performance Project) |
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| Awards |
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| 2000 |
The Beatrice S. Kolliner Award |
| 1998/9 |
Stichting Instendance, Vrienden van de Rijksakademie
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| 1998 |
America-Israel Fund 'Moshe Meir' Scholarship
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| 1996 |
British Council Fellowship fees award (Goldsmith's
MA)
America-Israel Fund 'Moshe Meir' Scholarship
Scholarship from the Ian Karten Charitable Trust |
| 1995 |
Art Scholarship from the Hvatzelet Fund |
| 1994 |
The Bezalell Academy 'Marie Fisher' Prize
America-Israel Fund 'Moshe Meir' Scholarship |
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| Bibliography |
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| 2004 |
Martin Herbert, First Take, Artforum, January
p.128-130 |
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| 2003 |
Martin Coomer, Matchine Matchine, Time Out,
August 13-20 p.50
A.Rosenberg & A.Schlaegel, Lost in Tomorrow, Die Stutze
Hephzibah Anderson, Matchine Matchine, Metrolife, August p.42
Packing Beat, Arena, September, p.64
Judith Mackrell, The Dance Machine, The Guardian, September
22 p.26 |
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| 2002 |
Niru Ratnam, Guy Bar Amotz - There's a Party
on his Back and You're Invited, i-D, December, p.165
Martin Herbert, Guy bar Amotz, Time Out, No.1684, Nov.27 - Dec.4,
p.58
Cedar Lewisohn, Mobile Worship, Contemporary, November, p.56-57
Dan Smith, Die First, Art Monthly, October
Helen Sumpter, Die First, Hot Tickets 6-12 September p.43
Martin Herbert, Die First, Time Out No.1673
Jessica Lack, Die First, Guardian Guide 17-23 August p.35 |
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| 2001 |
P. Ellis, Livin' Like a Lover, WOA Magazine,
Thames & Hudson, Summer
B. Drabble, Overture: Guy Bar Amotz, Flash Art international,
Jan./Feb |
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| 2000 |
D. Kermode, Guy Bar Amotz, As it is, Ikon
Gallery (catalogue).
O. Fishof, Sex'n Drugs'n Karaoke, Kol Ha'ir 12/9.
A.Rosenberg & A.Schlaegel, Underneath the arches, Fuori
Uso, Pescara (catalogue) |
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| 1999 |
P. Ellis, Love and Rockets, Flash Art International,
March/April
P. Ellis, Money For Nothing Chicks For Free, Window Gallery
(W<), Antwerp (cat.)
A. Schlaegel, Gracelands Palace, Sungkok Art Museum (catalogue) |
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| 1998 |
H. Friche, Stumm Wacht Die Security Im Coolen
Britannien, Die Tageszeitung 15/16 Aug.
S. Shapira, J. Watkins, Guy Bar Amotz, Every Day, 11th Biennale
of Sidney (cat.) |
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| 1995 |
S. Shapira, Guy Bar Amotz, 95
Kwangju Biennale (catalogue) |
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